Escape was composed in 2001. It is based on a combination and mixture of special
techniques, such as playing inside the piano and on the keyboard simultaneously. One of
the main effects used throughout the piece is the glissando on the overtone series, which
is literally an “escape” from the music played on the keyboard, to an illusory “world of
harmony”, symbolized by a natural harmonics. The main feature of the piece is its
original sonorities, created by combination of elements of whole-tone and chromatic
scales and low notes, sustained with the pedal. The pedal has an important function in the
piece; it divides sections of the form into phrases and at the same time joins together
different harmonies to the whole sonority complex.

Escape was composed in 2001. It is based on a combination and mixture of special
techniques, such as playing inside the piano and on the keyboard simultaneously. One of
the main effects