Mbira (or In Cage with Adams) was composed in 2012 for the pianist Aron Kallay, the first performer of the piece.
Program Notes:
Mbira (or In Cage with Adams) was composed in 2012 for the pianist Aron Kallay, the first performer of the piece. It was inspired by the subtle resonance of the traditional African percussion instrument, mbira, and by the piano music of the two great American composers, two Johns - John Cage and John Adams.
The reference to the instrument mbira is in the use of limited piano range (only treble clef is used in the piece) and selected number of repeated pitches (30 pitches), based on pentatonic scales, and also in microtonal retuning of each of the pitches sounding in the piece (by 5-35 cents).
The piece is meditative in character and uses minimalistic techniques, recycling the same pitches in different order, until it gradually comes to its natural end, like a burning candle.
Mbira (or In Cage with Adams) was composed in 2012 for the pianist Aron Kallay, the first performer of the piece. It was inspired by the subtle resonance of the traditional African percussion instrument,
Aron Kallay's recital, featuring selections from his "Beyond 12" series of commissioned pieces for retuned and remapped keyboards, is a part of "Soundwaves New Music at the Santa Monica Public Library"series. Free admission.
"Acclaimed Los Angeles pianist Mark Robson gives a guest piano recital presenting the music of well-known living composers Mark-Anthony Turnage, Augusta Read Thomas, Philippe Bodin and Beat Furrer, along with the music by local SoCal composers Daniel Rothman, Nick Norton, Mark Robson, and Chapman University’s music composition faculty Sean Heim and Vera Ivanova.